Ampitupnow.com speaks with the Chicago rap evolutionist Lukane, who since now has produced the ingenious twists of his own mixtape 'Phase 1'.

Whilst pumping out new work by the minute I find out how Lukane isn't just taking Chicago out of its comfort zone but the genre of Hip Hop itself.

Hello to you Lukane
(Faces the camera, ignoring the busy surroundings and smiles)
What’s going on?
-To start off with the
fact that you’re from the ever growing scene of Chicago, what sort of
ideologies have you pulled out of the city to inspire your incredibly diverse
and switchy mix of R n B?
Well you know, jazz was the big influences and the
blues, like you know we have artists like Twister. The crucial conflict, and those are the artists I grew up listening
to. Also a lot of New York sounds, one of my favourites. It’s a lot of
different ideologies.
-So this is all
something that can be easily picked up in your ‘Mixtape Phase 1’
Right, yeah a lot of it on ‘Phase One’ was written over two
years I actually started writing for it back in 2011 and didn’t release it
until December of 2013, but a lot of it came from you know me sitting down and
talking about a lot of things that went through my life and things that I had
seen in the world and it turned out pretty well. I had a lot of songs that
didn’t actually make the cut; perhaps 5 or 6 songs that I wanted to put on
there, but didn’t want to lose the concentration as far as the content went of
what I wanted to address. So I had to push those to the side, hopefully I can
let people hear those ones a little later.
-In other words, it’s
been a very gradual process for you, that has eventually built up?
Yeah, I worked with a bunch of producers, like 8 producers I
got on it. One engineer I worked with was pretty dope; his name is Corey he actually
was on a film for MTV UK for a reality Tv show, but he’s pretty dope! We had a
real good chemistry together and like you know it all just started from me and
a couple of my guys sitting in a house
bouncing ideas of each other and started sharing music. A few years later we actually began to make a
movement.
-And fairly DIY to
begin with? Now you've managed to work with well known producers such as Straidnova on your single ‘Go the Distance’ and even J Bada.
Straidnova is pretty dope. I found out about him on Youtube and was pretty much riding with
the beat he gave me and usually it isn't something that I would usually hear on
radio or other people produce so I figured that something original could be done with it,
and as far as the content like you see I talk about relationships, to a
relationship I had, to personally the history of blacks and a bunch of others
things just of how people work so hard for their money and their certain
visions. Once they have a bit of money they spend it like it’s never gonna come
back .
-And clearly you
express that significantly whilst involving your very own element and statement
of RnB. I'm talking about the mix of RnB of jazz and soul, (having discussed
that whilst on radio too) especially within tracks, lets say ‘To Each His Own’
with a tremendous symphony going on.
That song, you know like you said, before with the jazz feel
to it you got the brass instruments in it, the real hard drum kicks the snares
in it you know I really like that sound. I’m actually working on a Phase 2
right now, released a couple of songs on Youtube and Soundcloud also, I’ve got
one now called ‘Don’t Take It Away’ which was produced by a guy called Identity
Withheld and I’ve got another too called ‘Wazzup’.
-I was going onto
‘Wazzup’ ! Since, to the listener it can sound very close up and
to the point (Lukane continues)
It’s a song talking about speaking up to somebody, when you
see a lot of people you’ve known from the past or passed or met through a
certain situation. When you meet them down the line they don’t have the need to
say something to you or it might be visa versa, you might not feel like
speaking to them at the time because you don’t have the connection. So in the
first verse I talk about this girl who I grew up with whom I was like best
friends with growing up, playing house , kiddi boyfiend and girlfriend. And now
grown up she has her own family, I’ve
got my own situation going on, so basically it just talks about if we ever ran
into each other again don’t be afraid to speak up cos there was a point where
we were like brother and sister . The second verse more or less about the people
back at home, in Chicago that talk about. Whether it’s negative or not, when
you see me you won’t say it so it’s the reference back to that again.
-So many intimate ties
within the record, is it something as a personal statement you’d like to
continue?
Well, see these songs I write, they all come from the heart.
It’s all real. So it’s either based on a
experience I had or it’s based on an idea that I had of what I’ve seen or read.
Those those two songs, I don’t know if you’ve heard to ‘Don’t Take It Away yet?
-Yes I have.
Did you like it?
-Very much so, it’s a
step away from the consistency of Mixtape 'Phase 1' but it’s still got that sound
that you can correlate to yourself which is always great to hear in a
progressing artist.
Great, I appreciate it. That song was a little bit more
intimate, like we were talking before it goes into detail about relationships I
had with somebody and I got a lot more songs like that. I’ve actually got a
song I’m working on right now and I don’t know if I’m gonna do an open release
of it or if it’s all gonna be released on tape, but ergh it’s crazy, it’s
talking about my grandparents, my grandma and her old timers (laughs) and my grandfather, he passed
away a few years ago so I go into detail about them. They had 12 kids all
together so I have 11 uncles and aunties and they had a whole bunch of kids in their
families. So I talk about about the legacy they have. It’s other records on
there that talk about my acceptance into society and a lot of that, touching a
lot of subjects actually.
-So this is always
been something you’ve been keen on? How
long had you realised that you desired to be in the Chicago rap scene?
Well it’s funny because I was always around music, my auntie
she was in this singer rnb group called Ask Me back in the 90’s and was signed
to C + C Factory music group so she was
going on tour with Russell Simmons and BB and CC Winan, she was a backing singer
for them also. I got to see the lifestyle she was living and her love for
music. My mum always like put me in for piano lessons and different things like
that; I used to play the piano, the trumpet and always wrote poetry. So it just
came to a point where I put it down, the music down to a beat. I wrote poetry
in my room and then made a beat on the table and record on this old tape disc recorder
I had at the house, I’d just record and
play on that then play it back. I used
to like the way I sounded and I just kept going so that as I grew older I got more access to actual
rooms and studios, that’s pretty much where I went from there as far as it went
in Chicago I really started taking it seriously two years ago. I had a girl a
long time ago and we fell out so I put the music down for a second and I went
to school, then college for a year or two and then after that I decided get
back to it. Since then it’s been going crazy, got a lot of love from it, a lot
of people have given me beats and different studios, different connections.
-I can tell and know
from all the instruments you play and produce that your sound is profoundly
organic. Do you feel that makes you diverse in the competitive Chicago scene
for Rap and RnB music?
Yeah, well I like the fact that people are looking at
Chicago definitely cos a few years ago no one was looking at it. We always had
people with talent, I think at the moment the sound is very concentrated into
one sound. The soulful type of
music, that’s what Chicagos basis is from. Jazz blues that all came from
Chicago. So I’m just trying to bring that back with a low, original twist to
hip-hop.
-Alike a regeneration
of hip hop whilst moving forwards with the current aspect of the genre?
Right, a lot of people might view Chicago as if it’s a place
where nobody can make their own way, making something that’s original, you know
or what everybody else is talking about. That’s what I try to do in my music
and it’s not really trying It’s just speaking what’s on my mind. If you have a
conversation with me I could talk with you about the same subjects and go into
even more detail.
-So looking at the
east coast, if you were to take your
music there where artists from home soil such as Chance the Rapper have taken
it on and conquered beyond the Chicago, would you consider this as an aspiration?
Well I wanna go everywhere with it, the mixtape out now is
called ‘Phase One’ so we’re only in the first phase. As time goes on the music is
gonna spread, throughout the US people are listening to it, but we’re gonna get
on a much larger platform soon.
-So within the UK ( I
mean the reason I found your music was on Soundcloud coincidentally) It’s easy
to see your sound overloading the melting pot of the South London sound, this music could have a ripple effect on the industry as a whole. Your music adds in a regenerative
statement that no other artists here have taken on that much. Presuming
London could be another ambition for you too?
Definitely, we’ve gotta make that happen some day!
-Not that you’re
exactly stopping, is the writing a thought-flowing process or something that
comes and goes?
Some days I don’t write at all, but some I write 4-5 songs.
It all depends on the mood and also it has to do with the actual instrumentals.
The other night I was listening to just a bunch of instrumentals to get an idea
for some new songs and there was one instrumental and instantly I just found a
hooking to it instantly, so I started writing to it instantly. The mood and the
instrumental. If those two go together we’ll come out with it.
-Talking of coming out
with it, it’s surprising here in the UK
of just how many rap and RnB artists we see coming out within both urban and
suburban festivals, whereas it wasn’t nearly as publicised as before. Obviously a great opportunity globally
for artists, would you consider taking on that kind of challenge?
Yeah, I would definitely consider festivals actually. Last
month I was at this festival in Chicago and they had a bunch of different
genres; they had reggae, rock and it was pretty much people who they felt would
move the crowd in a certain way. There must have been about 2,000 people out
there so it was a pretty good crowd and we had a good time. You know I did a
few of my songs like ‘Wazzup’ which they went crazy for. I’ve definitely gotta
come out there, I’m gonna need to do that to show me the artists to go to etc!
-With the more
underground venues inside cities, perhaps the unique mixture of
your music could really uplift an area, a venue and of course new listeners. Over here in Bristol for example, with its deep roots of experimental triphop which is a
great platform. Tell us about your own platform within your ‘NoN’ phenomenon.
NoN is Now or Never. Basically it’s a bunch of guys who I
grew up with to take our organisation music-wise. So right now we have 6 people
in the group, some of them are still going through development. Like I said I
have ‘Phase 1’ out right now, Mike De Mans he has ‘Category NoNe’ EP out right
now, coming out of ‘Unplugged’. But basically we all have VERY different
sounds, and they’re all very original. I mean I don’t hear anybody elses music
sounding like anybody else’s in the group. I’m loving it. So eventually we’re
going to come out with a collab mixtape with all the the artists on it. Mike De
Mans and just me are the only ones with music out. So I want people to check
out my track ‘Long Way’ on my soundcloud featuring Mike De Mans and it’s gonna
be on our collab EP, it’s pretty dope.
- To finish off,
alongside all your supporting artists who else is filling the speakers right
now?
I try not to listen to the radio, because I don’t want to be
influenced by mainstream or too much of any other types of current music. I
listen to one of my guys, the creator of ‘Category NoNe’ and a lot of his
mixtape. Ergh (pauses and laughs) I’m
trying to think of someone new! Just a lot of RNB.. I know like 10 $ Sign, a
lot of him lately. You know (hints)
Chance the Rapper, I try to keep it at a bare minimum as far as the artists I
listen to. Most of the conscious artists are the ones I listen to but there’s a
lot of good music out right now.
-And by the sounds of
it you are one of them, pumping out new songs by the minute. It seems like an
upcoming surge, I’m anticipating the airing of your new tracks, ‘Wazzup’ and
‘Don’t Take It Away’ as the regeneration of RNB greatly on my station so all
the best Lukane.
Thanks for the love!
-If you want to find out the extensive hype over Lukane head over to https://soundcloud.com/lukane_non to discover his mixtape, 'Phase 1' and new pumped out tracks.
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